The performance is based on a process of capture and amplification: performative bodies in direct contact with three hydraulic devices present in the Atlas Fountain (or Fountain of the World): the fountain, the line, and the tank. From this contact, vibratory matter, breathing, and pulsation emerge: a rave constructed with presence, body, and, above all, with water not only as a natural element but as an agent of transformation.
The fountain is inhabited by the mythological figure of Atlas. In this contemporary ritual, this mythical body is reactivated: it no longer carries only the globe, but a planet saturated with ecological, social, urban, and bodily tensions. Its weight is liquid. Here, water occupies the center, as a political and sensory vector, a means of transformation, contagion, and survival. HIDRORAVE is neither celebration nor escape: it is a borderline state. A body in transition, in osmosis with the environment. As it sweats, the body dissolves; it becomes porous, collective, unstable.
The performance is the result of a collaborative process with participants from a previous workshop led by the artists, in which performative practices, live sound, and light will be explored as means of sensory and artistic expression.